A kind of love-child of Buñuel and Leone with more biblical and religious symbolism than one knows what to do with, Alejandro Jodorowsky’s surrealist Western El Topo follows a cowboy/priest with a sacred calling on a blood-soaked crusade to rescue and ravage the children of men along with their women to liberate the oppressed and celebrate the grotesque in all its gnarley forms without failing to achieve as a film something either sublime or just subliminal, always faithful to itself but less than preoccupied with viewer accessibility.

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