Terry Gilliam’s all-too-real, warped, fish-eye view of the world as it already is, Brazil is a dreamy poem distinguishing people from the processing machine in which they have become apathetic and yet willing cogs surrounded by billboards that are painfully and ironically consistent with those that are presently drowning us in our world: “SUSPICION BREEDS CONFIDENCE.”
A Sentence on Brazil
11 Jul
This entry was published on July 11, 2008 at 12:58 pm. It’s filed under 1980s Cinema, British Film, One-Sentence Reviews and tagged Brazil, consumers, dreams, dystopia, information, Jonathan Pryce, Terry Gilliam.
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Brazil is an insane movie. I loved it.