One in a series of rather silly features from Woody Allen from the ’90s into the ’00s, Manhattan Murder Mystery acts as a sort of trivial extension of the earlier…
What the ex-advisor said was true and remains true: you haven’t seen a film unless you’ve seen in (at least) twice. So, for as lighthearted in tone as Woody Allen’s…
Viewed in three sittings, a screening as fractured as the identity of the titular object. She only serves as a distraction for the viewer in her dual performance. She is…
The Double Life of Véronique (1991, dir. Krzysztof Kieslowski) – A film that continues to challenge and provoke. Struck this time around by the very immanent nature of Kieslowski’s transcendence.…
The Stranger (1946, dir. Orson Welles) – Deserves more space, obviously. Suffice it to say, Welles’ camera rewards the viewer’s careful attention. Every movement is so deliberate, and the long…
