Precious Bodily Fluids

Amour: Moving Emotions Without Moving the Camera


For a slightly more polished and less tangential review than is customarily posted here, see Post Defiance. TGFEditors.

This entry was published on February 20, 2013 at 4:24 pm. It’s filed under 2010s Cinema, French Film, Michael Haneke and tagged , , , , , , , . Bookmark the permalink. Follow any comments here with the RSS feed for this post.

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