Precious Bodily Fluids

“Doing time: ‘slow cinema’ at the AV Festival,” Henry K. Miller

Melancholia, 2008

“Doing time: ‘slow cinema’ at the AV Festival,” Henry K. Miller, BFI Sight & Sound

Miller differentiates these films (also from the titular AV Festival) from those of Hitchcock right at the outset, but later goes on to explain that it’s not necessarily a mater of editing or non-narrativity that makes these films slow. Many are simply long, while plenty also feature long takes, shots, etc. Miller remarks that while you might think these are all Bazinians, some are in the vein of Eisenstein and his brand of montage. Similar names are dropped as the previous article, along with Pedro Costa and Carl Dreyer, along with a variety of (basically) avant-garde filmmakers. This essay does well to emphasize this point: the “slow cinema” movement rides the line (bouncing back and forth between) something like “art cinema” and the avant-garde or experimental cinema. Focus of the article is Lav Diaz, a Philippine filmmaker of whose eight-hour film Melancholia (2008, pre-von Trier) the author could only handle the first three. Diaz calls his films’ audience members “warriors.”

Advertisements
This entry was published on August 25, 2014 at 4:31 pm. It’s filed under Article Summaries and tagged , , , , . Bookmark the permalink. Follow any comments here with the RSS feed for this post.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: