Thérèse Raquin (dir. Marcel Carné, 1953) – A step back from the poetic realism of Carné’s big-budget, big production Children of Paradise and lower-budget Port of Shadows, this is a melodrama that zooms…
Viewed in three sittings, a screening as fractured as the identity of the titular object. She only serves as a distraction for the viewer in her dual performance. She is…
