Have been reading through Mark Betz’s Beyond the Subtitle: Remapping European Art Cinema, which includes a chapter entitled, “Wandering Women: Decolonization, Modernity, Recolonization.” Although the chapter only mentions Antonioni’s Red Desert,…
Breathless (dir. Jean-Luc Godard, 1960) – Other than obligatory and ubiquitous clips, have probably only sat through Breathless twice. What can you say about it that hasn’t already been said ad…
Obviously this deserves a lot more attention than what’s about to follow. It’s one of the quintessential art house films, it’s what made Antonioni even cooler with the English-speaking world,…
Having never seen a pre-L’Avventura Antonioni, wasn’t sure what to expect with this one. Was determined, entering into it, not to give it any kind of privileged “Antonioni” reading. Really…
Waterloo Bridge (dir. James Whale, 1931): A refreshingly different pre-code film from the afore-discussed Red-Headed Woman and Baby Face, this one sticks to your basic melodrama motifs, very D.W. Griffith…
“Making a picture in America brings with it one single risk: the risk of becoming the object of a discussion so wide in range that the quality of the film…
It has been said that Red Desert (Il Deserto Rosso) is Michelangelo Antonioni’s masterpiece. Maybe so. But each of his previous three has also been called his masterpiece. Antonioni himself…
L’Eclisse is the third film in Michelangelo Antonioni’s informal trilogy (or quadrilogy) from the early 60s, preceded by L’Avventura and La Notte. It probably isn’t mere coincidence that The Artist…
