The Man Who Knew Too Little (dir. John Amiel, 1997) – This one’s always been fun and always will be. In the 90s, Bill Murray swung back and forth between…
The second, and later film from Jane Campion, In The Cut is not quite as “critically acclaimed,” as they say, but it should be. At least, it should be given…
Two from Jane Campion, in order from older to not-as-old. The Piano is one of those films that peppers syllabi throughout film studies courses, functioning as it does as a…
A really beautiful film, one that does what cinema does best. It uses images – both cinematographic and photographic – to create a world and an aura and something much…
