From its first shot, here is a film that invites its own phenomenology, another potential description or requirement of the art film. We slowly zoom into a line of men…
The child scrounger is about as “neorealism” as it gets, pointing toward his counterpart in Buñuel’s Los Olvidados from a couple years later. And it’s not neorealism without a heavy dose…
Unfortunately, to call something “textbook” rings of negative criticism. So perhaps it’s better to say, in the case of M, that Fritz Lang wrote the (text)book on cinematic sound and…