Le Jour se lève (dir. Marcel Carné, 1939) – A nice little essay by Maureen Turim grounds aspects of the film in a theoretical and critical framework, although she doesn’t…
Thérèse Raquin (dir. Marcel Carné, 1953) – A step back from the poetic realism of Carné’s big-budget, big production Children of Paradise and lower-budget Port of Shadows, this is a melodrama that zooms…