The Stranger (1946, dir. Orson Welles) – Deserves more space, obviously. Suffice it to say, Welles’ camera rewards the viewer’s careful attention. Every movement is so deliberate, and the long…
Unfaithfully Yours (dir. Preston Sturges, 1948) – Another Stanford Theatre gem. Sturges tops the So-Embarrassed-I-Don’t-Know-Their-Stuff List. This was a fortuitous screening, since after viewing The Hudsucker Proxy, with all its…
A sometimes-restrained, sometimes-awfully-un-subtle egotistical subjectivity reigns Elegy, an interesting piece of tweaked phallocentrism from a woman director. Loose ends are generally tied up even though the characters barely keep their…
It turns out that any consideration of Volver is somewhat lacking without having seen Pedro Almodóvar’s earlier film The Flower of My Secret. Marsha Kinder’s review in Film Quarterly (Spring…
