Another one from Stanford Theatre with the unsurpassed combo of Cary Grant & Jean Arthur; this one with the bonus of Rita Hayworth before she realized how sassy she was.…
Gilda (dir. Charles Vidor, 1946): The tagline read, “Was there ever a woman like Gilda?” Indeed. Upon a more recent viewing of this long-been favorite, it appears much less textbook…
Orson Welles’ last directorial foray in mainstream Hollywood before taking a much-needed break progressively toys and experiments with the medium as the narrative saunters toward its wonderfully shattered ending. The…
Like the previous entry on Pan’s Labyrinth, Gilda is another film that is all about sight. But that’s about where the similarities end. More specifically, Gilda contains heavy traces of…
