Identification is less terrifying than implication. Horror films can be scary, but scarier still is that genre-less class of films that implicate the viewer in the evils of its character(s).…
With a retrospectively simple story, Alain Resnais’ Hiroshima Mon Amour complexly integrates documentary and documentary-like footage with more standard narrative-fiction chunks. Helpd a great deal by themes of Freudian repression,…
