Italian neorealism was seen as coming to an end when Vittorio de Sica made Umberto D. De Sica’s The Bicycle Thief and Rosselini’s Rome, Open City triggered the film movement,…
Robert Bresson’s Pickpocket is Dostoevsky meets The Bicycle Thief. Vittorio de Sica’s film focuses on the man rather than on the whodunit?, and in the same way, Bresson’s film centers…