Rear Window is a marvel. It’s called “pure cinema” at times, and unsurprisingly. They say 8½ is the best film about film ever made, but we should lighten the requirements…
It isn’t hard to imagine Krzysztof Kieslowski responding to an accusation that his films might be overly transcendent or unreal by employing one of the most common and, indeed, self-reflexive…
Like the previous entry on Pan’s Labyrinth, Gilda is another film that is all about sight. But that’s about where the similarities end. More specifically, Gilda contains heavy traces of…
